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Showing posts from December 22, 2010

Kira-Kira by Cynthia Kadohata

One very windy day in Iowa, Katie Takeshima and her older sister Lynn climbed to their roof with two boxes of Kleenex. They took the Kleenex out one at a time and let the wind catch it. They got in trouble, but it was worth it. The tissues had looked like giant butterflies in the wind. It had been the smart and beautiful Lynn's idea. As Katie says: "Lynn could take a simple, everyday object like a box of Kleenex and use it to prove how amazing the world is." Lynn doesn't just show her family how amazing the world is, she shows us readers too, just by being herself. The story of Katie and Lynn also reminds us readers of how precious family is. I've never read a novel both as sad and hopeful as Kira-Kira by Cynthia Kadohata (Atheneum, 2004). In the novel, all the relationships between family members, but especially between Katie and Lynn and their younger brother Sammy, are so real and so beautiful. It's scary and tragic when Lynn becomes terminally ill, an

A Single Shard by Linda Sue Park

A certain prunus vase is among the most prized of Korea's many cultural treasures. It is the finest example of inlaid celadon pottery ever discovered and has been dated to the twelfth century. The vase's most remarkable feature is its intricate inlay work. Each of the forty-six round medallions is formed by a white outer ring and a black inner ring. Within every circle, carved and then inlaid with great skill, there is a crane in graceful flight. Clouds drift between the medallions, with more cranes soaring among the clouds. And the glaze is a delicate shade of grayish green. It is called the "Thousand Cranes Vase." Its maker is unknown. The passage quoted above is the last passage from A Single Shard by Linda Sue Park (Clarion Books, 2001). I've heard that many stories come about by asking what if questions. I haven't done a lot of research on A Single Shard yet, but I imagine that the author read about the Thousand Cranes Vase, maybe even saw it in perso